1/7/2024 0 Comments Julie prim![]() The house had never been run better, the children never behaved better. ''I went to work doing a television series and he stayed home to write, and it threatened everything I felt about myself. ''Blake and I once changed roles,'' she explains. While she describes herself as a feminist, Miss Andrews adds that she is personally most comfortable with traditional sex roles. It made me aware that there really is a way to go before we are truly emancipated.'' ''There's a kind of ease, a self-assurance in the way you walk through the world that comes from just being masculine. ''I discovered that even though we've come a long way, men have it made, in terms of their freedom,'' she says. In the process of playing a man, Miss Andrews reports, she - like her character, Victoria - found there were distinct advantages. Edwards, ''The Tamarind Seed,'' was characterized - in the words of Vincent Canby - by its ''total absorption in the chastity of its heroine, a woman who considers a good night kiss as the first, irrevocable step toward total degradation.'' And another of the films written and directed by Mr. Edwards has often played to the image in their last joint venture, ''S.O.B.,'' he cast her as ''America's sweetheart,'' an actress with a sticky-sweet reputation who is plunged into near hysteria by her director-husband's demand that she bare her breasts for one scene in his movie. ''And he writes them into his screenplays when he writes for me.''īut even Mr. Miss Andrews notes that her spouse has been one of the few people to write more unconventional parts for her, as he did with ''Victor/Victoria.'' ''Knowing me so well, I think my husband possibly sees something in me, knows there might be possibilities that other people, because of that image, might not spot,'' she explains. ''As long as Blake knows.''īe that as it may, viewers and reviewers have often been hardpressed to discern the earthiness in Miss Andrews's personality a typical assessment was one critic's remark that she played the love scenes opposite Omar Sharif in ''The Tamarind Seed'' like a competent dietician. But it doesn't bother me if other peo- ple don't spot the passion. I don't know where it comes from, that reserve or veneer of British niceness. ''I think of part of myself as a very passionate person, but I don't think that comes across. ''Ultimately I guess I can't help what comes across,'' she admits. But she concedes that there must be other factors involved. ''You're always best remembered for the things that are successful,'' Miss Andrews notes philosophically. ''Does Mary Poppins have an orgasm? Does she go to the bathroom? I assure you, she does,'' Miss Andrews says drily. ![]() Julie Andrews herself tends derisively and utter the kinds of words that can't be quoted in the newspaper when mention is made of her saccharine, sanitized image. Some viewers may find themselves somewhat startled by the sight of Mary Poppins cross-dressing and carousing with transvestites and persons of assorted and ambiguous sexual persuasions in the decadent Paris nightclubs of 1934. ![]() Directed by Miss Andrews's husband, Blake Edwards, the film, opening Friday at the Ziegfeld, also stars James Garner, Robert Preston and Lesley Ann Warren. Except that then she meets a real man she wants to jump into bed with, but he thinks she/he is not only male but also romantically involved with the aging homosexual she/he lives with, and - well, things get very complicated.Īll of which may sound somewhat improbable as the plot of a new Hollywood comedy, but most improbable of all is the fact that the star of ''Victor/ Victoria'' is Julie Andrews. Unable to find work as a singer, she begins to masquerade as a man, becomes successful as a fe-male impersonator, and decides she likes life better as a ''man'' anyway. Broke and starving, she offers to sleep with her landlord in exchange for a meatball.
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